At the Ends of the World: The War for the Whole has Begun

It is oft said that we are in a period of unparalleled disorder. But the world is remarkably resilient to external pressures, including radical changes to the Earth’s climate wrought by our species’ burning of the dead remnants of ancient sea creatures. The planet is simmering under this man-made frying pan, ready to be cast … Continue reading At the Ends of the World: The War for the Whole has Begun

Hobbes, the Person of the State, and the Beginnings of Balance

In the beginning, there was a simple thing — be that nothing, something, or everything at once. From this simple, eternal implosion of reality exploded the elaborate fantasy of this divided physical realm. Perhaps even then there were seeds of division immanent to the physicality of this world. Before time and space, however, can we … Continue reading Hobbes, the Person of the State, and the Beginnings of Balance

A world in crisis: The revenge of the 1920s, the rise of China, and the tragedy of the Titanic

In the new year of 1912, few would have thought that, within a few months, an Olympic-class ocean liner would be sunk by an iceberg, killing over half of its passengers. Even fewer would have thought that, within three years, the European great powers would descend into the largest military conflict the world had ever … Continue reading A world in crisis: The revenge of the 1920s, the rise of China, and the tragedy of the Titanic

The rise and fall of the private state

There are three characters in our play of politics: Capital (or the economy), Commonwealth (or the polity), and Culture (or the society). Hobbes’s Leviathan: free from privatisation? To privatise a state (Hobbes’s ‘commonwealth’), capital either: Weakens commonwealth, allowing culture to dominate (indirect privatisation); orStrengthens itself to such a degree that capital can dominate (direct privatisation). … Continue reading The rise and fall of the private state

Spielberg’s West Side Story: A musical masterpiece

There is something entrancing about the idea of revival. Yet it is also deceiving, especially when what is being revived is itself a revival. Such is the case with Steven Spielberg’s West Side Story, a revival of the original musical based on Shakespeare’s Romeo and Juliet. In addition to classical composer Leonard Bernstein’s spellbinding score, … Continue reading Spielberg’s West Side Story: A musical masterpiece