Against the destruction of free thought: Why only Ye can avert a Third World War and prevent a new Holocaust — some lessons from Hilberg, Arendt, Mearsheimer, et al.

‘Men have been found to resist the most powerful monarchs and to refuse to bow down before them, but few indeed have been found to resist the crowd, to stand up alone before misguided masses, to face their implacable frenzy without weapons and with folded arms to dare a no when a yes is demanded. … Continue reading Against the destruction of free thought: Why only Ye can avert a Third World War and prevent a new Holocaust — some lessons from Hilberg, Arendt, Mearsheimer, et al. →

From technique to artistry: The theory of music in ‘Whiplash’

Tropes of ‘music theory’ are as oft trotted out as are their counterparts in the department of ‘practice makes perfect’. But in the philosophy of Mozart’s time, Immanuel Kant already bridged these polar opposites of musical weather reports: the faculty of judgement, specifically concerned with aesthetic concepts of beauty and the sublime, bridged between abstract … Continue reading From technique to artistry: The theory of music in ‘Whiplash’ →