Crown by Eric Gales: Blues but for the grace of Bach

‘Is this the beginning or the end of time?’ — Jimi Hendrix. Eric Gales is back with a blues record to compete with contentions to foundation of a new genre of music, along the lines of Bach’s foundation of classical music in the baroque period. The opening track of Gales’ record ‘Death of Me’ echoes … Continue reading Crown by Eric Gales: Blues but for the grace of Bach

The old ends so that the new can begin: Why Jacob Collier has absolutely no idea what he’s talking about

A lot of people like Jacob Collier, not because they like his music, but because they think he’s an intelligent person. This makes no logical sense. Think about it: if Jacob Collier really were the ‘second coming of Wolfgang Amadeus Mozart’, to condense the review of Collier in the New York Times and countless other … Continue reading The old ends so that the new can begin: Why Jacob Collier has absolutely no idea what he’s talking about

Stravinsky, Jacob Collier, and the return of the 1920s in modern music

I go in circles with music. I love music so much and have great respect for all musicians. I approach politics and philosophy similarly, and am inclined to view politicians and philosophers in a similarly sympathetic light (however difficult this may, admittedly, sometimes be!). It is easy to critique things that shine. Once I much … Continue reading Stravinsky, Jacob Collier, and the return of the 1920s in modern music

Heidegger, Being, and Tenet

I have previously analysed the film Tenet, written and directed by Christopher Nolan to lukewarm reviews, from the perspective of political economy. I would like to now approach the art film from the perspective of philosophy. From Tenet (2020). Much has been written about the theme of time in Tenet, a theme which animates Christopher … Continue reading Heidegger, Being, and Tenet

The evolution of music and the importance of balance

Music, as I’ve recently argued on this blog, swings from one extreme to another. On the one hand, there are the technicians, who think music can be learned through meticulous practice. The chief virtue of technicians is the demand for perfection. On the other hand, there are the artists, who think music comes from innate … Continue reading The evolution of music and the importance of balance